Our story began with a simple yet meaningful goal: to bring comfort and peace to our customers through high-quality Chinese products. In 2021, we set up our company Yomkey Group Limited in Hong Kong and turned this vision into reality by founding a shop that highlights the craftsmanship and cultural heritage of China. We aim to provide practical products while enriching your life with captivating stories rooted in history and tradition.
Welcome to Yomkey Store!
Our story began with a simple yet meaningful goal: to bring comfort and peace to our customers through high-quality Chinese products. In 2021, we set up our company Yomkey Group Limited in Hong Kong and turned this vision into reality by founding a shop that highlights the craftsmanship and cultural heritage of China. We aim to provide practical products while enriching your life with captivating stories rooted in history and tradition.
We currently cooperating with 900+ goods suppliers, logistic suppliers cover 46+ country/regions
Our product lines meeting the diverse needs of our customers and providing a one-stop shopping experience.
Our products feature high-quality Chinese craftsmanship and are infused with rich historical and cultural elements.
Our support team is available 24/7 to assist you with any questions or concerns you have
We are proud to present an exceptional Suzhou embroidery video provided by our esteemed cooperation partner, showcasing their extraordinary craftsmanship abilities.
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We are proud to have a professional photography team and an array of talented models on board, working diligently to showcase the true beauty of each and every product we offer.
Our professional models, with their diverse backgrounds and styles, bring versatility and charisma to our product presentations. They skillfully exhibit the products' practicality and elegance, allowing potential customers to envision themselves using and enjoying our offerings.
Together, our photography team and models create a harmonious synergy that effectively highlights the real beauty and value of our products. This collaboration ensures that our customers receive an authentic and captivating visual experience, enabling them to make informed decisions and appreciate the excellence we strive to deliver.
In 581 CE, when Yang Jian (Emperor Wen of Sui) took power from the Northern Zhou dynasty, he inherited a land that had been divided for 400 years. The north was inhabited by nomadic tribes, while the south was home to Han Chinese. These divides, alongside decades of warfare, had left China in disarray. By the time his son Yang Guang (Emperor Yang of Sui) died in 618 CE, the dynasty had not only constructed monumental achievements—such as the Grand Canal, imperial examination system, and massive grain storage silos—but it had also laid the foundational structures for the grandeur of Tang dynasty's capital, Chang'an. Though brief, the Sui Dynasty's ingenuity provided China with key infrastructures that would support its civilization for the next millennium.
The Chinese Jin Dynasty (265-420 AD) teaches us that civilization's most brilliant light often arises from the ashes. As you gaze upon the flowing robes in Gu Kaizhi’s paintings or recite Tao Yuanming’s mournful lines, you see not just the shadow of a lost dynasty, but the universal human longing for freedom, respect for nature, and belief in art’s redemptive power.
The deepest paradox of the Chinese Three Kingdoms Period (220-280 AD) lies in the fact that the division of power ultimately strengthened the pursuit of unity. While Cao Cao, Zhuge Liang, and Sun Quan expanded China’s boundaries during an era of fragmentation, the stories of loyalty, bravery, and strategy have transcended time, becoming the symbols of Chinese identity.
In 202 BCE, when Liu Bang ascended the throne in Dingtao, a dynasty named Han emerged on the world stage. Over the next four hundred years, it rose from the ashes, rebuilt order, marched its iron cavalry to the northern steppes and the Western regions, connected Rome through the Silk Road, and spread ideas through paper. Ultimately, the Han people, Chinese characters, and Han culture became eternal symbols of Chinese civilization. Today, let's clear away the dust of two millennia and step into this legendary era that laid the foundation for Chinese heritage.
Le 《Le classique des montagnes et des mers》 qui s'appelle également Shanhaijing est une sorte de géographie primitive de la Chine. La paternité est traditionnellement attribuée à l'empereur Yu, le fondateur mythologique de la dynastie Xia ( 2100-1600 av. J.-C. ), ou à Bo Yi, l'un de ses ministres, ou serait une carte des chaudrons ding Yu le Grand érigés dans les provinces de Chine. Les érudits modernes pensent que le livre a été compilé pendant les périodes de la dynastie Qin (221-206 avant JC) et de la dynastie Han (206 avant JC-220 après JC) et est le produit d'une longue période de compilation. Les deux premières parties du livre peuvent être considérées comme des écrits taoïstes. La première partie traite des montagnes, de leur nature et de leur caractère, des plantes, des animaux et des minerais, toutes étant des caractéristiques pertinentes pour la performance idéale des chamans taoïstes qui y travaillent. Il a probablement été compilé au cours des 4e et 3e siècles avant notre ère. La deuxième partie traite des pays étrangers et de ses habitants et contient de nombreuses histoires mythologiques et des contes sur des personnes et des animaux étranges. Il a probablement été écrit à la fin du IIIe ou au IIe siècle avant notre ère. Les deux dernières parties étaient à l'origine des suppléments compilés par les érudits de la dynastie Han de l'ancienne période Han (206 avant JC-220 après JC) Liu Xiang ou Liu Xin. Ce n'est que lorsque Guo Pu a commencé à compiler son commentaire au 4ème siècle que les suppléments ont été traités comme des parties appropriées du classique.
Le langage des fleurs remonte au plus tôt à la Grèce antique. Au début du 19e siècle, le langage des fleurs se développe en France et se répand en Grande-Bretagne et en Amérique. Cependant, le public l'a accepté au milieu des années 1900, partage ici un bref résumé sur la langue et symbolise
Depuis que le Loong est devenu le totem des Chinois, la nation chinoise est liée au Loong . Par conséquent, le conte de Yan Di est apparu. Il a dit que Yan Di et Yao étaient tous nés à cause des Loong . Si l'ancêtre de la Chine est né pour les Loong , les Chinois sont les descendants des Loong .
Le maquillage du visage dans les opéras est une particularité d'un cosmétique national. Comme chaque personnage historique ou un certain type de personne a un type spectral approximatif, comme chanter, jouer de la musique, ce qu'on appelle "les types de maquillage du visage dans les opéras". Les types de maquillage facial de l'opéra de Pékin dans les opéras sont basés sur une certaine personnalité